MammalsStanding Ground
Katmai, Alaska
Eighteen years chasing light across savannas, ice, and rainforest. Fine-art prints, editorial commissions, and small-group expeditions into the last great wild places.
A selection of frames from years spent close to wild animals, on their terms, in their light. Each one is available as a museum-grade limited print.
MammalsKatmai, Alaska
Big CatsMaasai Mara, Kenya
PredatorsYellowstone, USA
BirdsLofoten, Norway
Big CatsBandhavgarh, India
HerdsSerengeti, Tanzania
MammalsCairngorms, Scotland
HerdsAmboseli, Kenya
BirdsBiałowieża, Poland
MammalsHokkaido, Japan
Between the animals lies the land itself — vast, indifferent, and impossibly beautiful. These are the places that make the wild possible.

A granite spire pierces a sea of dawn mist, the first light raking across a glacier carved over ten thousand years.

Old-growth forest folds into low cloud, a temperate rainforest that breathes fog at the edge of the continent.

Wind-sculpted dunes ripple toward distant mountains in the oldest desert on Earth, alive only at the margins.

Arctic peaks burn under a charged sky as the long winter night turns the air to color above the fjords.

1.2M
acres of habitat protected through print sales
Wildlife & Nature Photographer · Based in Montana, working worldwide
Elias began photographing wildlife at nineteen, sleeping in hides on the edge of national parks with a borrowed lens. Eighteen years later, his work appears in the pages of the world's leading nature publications and on the walls of collectors across four continents.
His approach is unhurried and deeply respectful of the animals he photographs. He believes a wildlife image should do more than impress — it should make a viewer care enough to protect what they are looking at.
No baiting, no drones at the nest, no shortcuts. The best frames come to those who wait, quietly, for days.
A share of every print and expedition funds anti-poaching units and habitat protection on the ground.
From Arctic pack ice to equatorial canopy, eighteen years of reading weather, light, and animal behavior.
Honors from the institutions that define wildlife photography, and a body of work trusted by the publications that shape how the world sees nature.
Natural History Museum, London
Nature’s Best Photography
Bird Photographer of the Year
Sierra Club International
Outdoor Photographer Magazine
As featured in
Small groups, never more than eight. Real access, hard-won locations, and unhurried time in the field with Elias at your side.
6 spots leftSerengeti, Tanzania
Track over a million wildebeest and the predators that follow them across the southern plains, with river-crossing vantage points reserved for our group.
4 spots leftSvalbard, Norway
Sail the pack ice under the returning sun in search of polar bears, walrus, and Arctic foxes, photographing in the soft, low light of the high north.
8 spots leftMadre de Dios, Peru
Work from canopy towers and clay licks deep in the western Amazon, where macaws, monkeys, and jaguars share the most biodiverse forest on the planet.
“Elias sees a moment forming before it happens. The frames he brought back from the Serengeti reset the standard for our entire issue.”
Marien Holloway
Photo Editor, Terra Mater
“Ten days in the Arctic with Elias taught me more about light and patience than a decade of shooting on my own. Worth every mile.”
Daniel Okonkwo
Expedition guest, Svalbard 2025
“The print hangs in our entrance and visitors stop mid-sentence. It is not a photograph of an animal, it is a presence in the room.”
Sofia Reinhardt
Private collector, Berlin
Commissions, print enquiries, and expedition reservations. Tell me what you have in mind and I'll reply personally within two business days.